TV News LIES

Arizona Attorney General Kris Mayes (D) on Tuesday threatened legal action if Speaker Mike Johnson (R-La.) delays swearing in Democratic Rep.-elect Adelita Grijalva (Ariz.).

“It’s way past time for Mike Johnson to stop the political games and seat Adelita without delay. Today, my office is sending a letter to Speaker Johnson demanding he do so,” Mayes said in a statement on Tuesday. “We are keeping every option open to us, including litigation, to hold him accountable and make sure that Adelita is able to begin her work as Arizona’s newest member of Congress.”

Grijalva won a special election on Sept. 23 for the Arizona seat that was long held by her father, the late Rep. Raúl Grijalva (D-Ariz.). But despite decisively winning the seat, she has not yet been sworn in. 

Johnson has canceled weeks of previously scheduled votes and kept the House in recess amid the government shutdown as he aims to pressure Senate Democrats into accepting the GOP-crafted, House-passed “clean” stopgap bill to fund the government through Nov. 21. 

He has declined to swear Grijalva in during the brief “pro forma” sessions that the chamber holds for constitutional appointment reasons, and he has said he will swear in Grijalva when the House is back in regular session — reiterating the position in a statement in response to Mayes on Tuesday.

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Following D'Angelo's shocking death at 51, fellow musicians and stars are reflecting on the soul singer's unmatched impact and legacy.

The Grammy-winning singer-songwriter and producer's retro R&B sound epitomized the neo-soul movement of the mid-'90s. He died Tuesday, Oct. 14, following a battle with cancer, his family confirmed to Variety and Rolling Stone.

Actor Jamie Foxx wrote on social media that he knows "God doesn't make mistakes," but D'Angelo's death "hurts like hell."

"Rest up my friend," he wrote in a lengthy Instagram post on Tuesday. " … Your music and your impression will be felt for generations to come." Foxx also recalled seeing D'Angelo's "incredible" music video for "Untitled (How Does it Feel)" and the R&B singer's "silky and flawless" voice, calling him "anointed" and "one of one."

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President Trump said Tuesday that the U.S. struck another small boat that he accused of carrying drugs in the waters off the coast of Venezuela.

The president said in a post on Truth Social that six people aboard the vessel were killed in the strike and no U.S. forces were harmed. It's the fifth deadly strike in the Caribbean, where the Trump administration has asserted it is treating alleged drug traffickers as unlawful combatants who must be met with military force. At least 27 people have been killed in the five strikes, according to figures released by the administration.

Frustration with the use of force has been growing on Capitol Hill among members of both major political parties. Some Republicans are seeking more information from the White House on the legal justification and details of the strikes. Democrats contend the strikes violate U.S. and international law.

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Thanks to the dire condition of the Earth's coral reefs, the planet has now reached its first tipping point for human-caused climate change, according to a new report by scientists in Europe.

The second Global Tipping Points Report, released Oct. 13, said warm-water coral reefs – on which nearly 1 billion people and a quarter of all marine life depend – are "passing their tipping point."

According to the report, widespread coral dieback is taking place and – unless global warming is reversed – extensive reefs as we know them will be lost, although small refuges may survive and must be protected.

What is a 'tipping point'?

A “tipping point” occurs when a small change tips a system into a new state, causing significant and long-term transformation. With the climate, these points of no return are specific moments when the planet has warmed so much that certain effects become irreversible.

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The Nobel prize in literature for 2025 has been awarded to the Hungarian author László Krasznahorkai, the Swedish Academy has announced.

The academy cited the 71-year-old’s “compelling and visionary oeuvre that, in the midst of apocalyptic terror, reaffirms the power of art”.

Krasznahorkai is known for his dystopian, melancholic novels, which have won numerous prizes, including the 2019 National Book award for translated literature and the 2015 International Booker prize. Several of his works, including his novels Satantango and The Melancholy of Resistance, have been adapted into feature films.

“I am deeply glad that I have received the Nobel prize – above all because this award proves that literature exists in itself, beyond various non-literary expectations, and that it is still being read,” said Krasznahorkai. “And for those who read it, it offers a certain hope that beauty, nobility, and the sublime still exist for their own sake. It may offer hope even to those in whom life itself only barely flickers.”

The novelist Colm Tóibín described Krasznahorkai as “a unique literary visionary who has opened up a huge amount of rich space in the contemporary novel showing what can be done”.

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The Nobel Prize in economics was awarded to a trio of researchers Monday for their work on how cycles of technological innovation feed economic growth.

Joel Mokyr of Northwestern University, Peter Howitt of Brown University and Philippe Aghion of the College of France and the London School of Economics will split the prize money of 11 million Swedish kroner, or about $1.2 million.

All three men were born outside the United States, but each received his doctorate from a university in the U.S.

Mokyr pioneered a theory of how technological change and improvement has helped to fuel two centuries of growth and higher living standards. Howitt and Aghion followed up with a theory on how creative destruction allows one technological advance to give way to another, so what's a breakthrough in one generation is obsolete by the next.

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Two scenes from the past two weeks capture something unsettling – and familiar –about American public life. In San Francisco, a tech billionaire delivered a sold‑out, off‑the‑record lecture series on the antichrist. In Michigan, a man rammed his pickup truck into a Latter‑day Saints meetinghouse during Sunday worship, opened fire and set the building ablaze, apparently believing that Mormons are the antichrist.

The antichrist is clearly back. But perhaps he has never really left.

As a historian of American apocalypticism, I’ve traced how this symbol – a protean figure cobbled together from obscure biblical passages – has repeatedly migrated from pulpits to politics and back again.

Almost a century ago, fundamentalists mapped European dictators and New Deal bureaucrats on to biblical prophecy. During the cold war, evangelicals scanned Moscow and Jerusalem for signs of the Beast. In the first Gulf war, some Christians argued that Saddam Hussein was the antichrist who was rebuilding the Tower of Babel.

Whenever American power felt threatened or social change accelerated, antichrist talk surged. Today’s version arrives with AI, deepfakes and venture funding. And with bullets.

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