The Brentano String Quartet had finished their performance when a special guest dropped in backstage: the US supreme court justice Ruth Bader Ginsburg. “We thanked her for everything she had done for our country,” recalls violinist Mark Steinberg. “It was a nice moment.”
The year was 2016 and the place was the John F Kennedy Center for the Performing Arts in Washington. Fast forward a decade and old certainties have been shaken: Ginsburg is dead, Donald Trump is president and the Kennedy Center has become a case study in how a seemingly solid American institution can quickly unravel.
The Brentano String Quartet were due to perform there last week but cancelled their show, citing Trump’s hostile takeover of the complex. Steinberg explained: “I would have felt ashamed to walk out on stage there. I can’t quite bring myself to go into the building at this point.
“It would be such a luxury to make art in a vacuum and that’s what I yearn for but that’s not possible right now. Had we appeared there, in my eyes, that would be a way of condoning everything that’s happening and I couldn’t stomach that.”
As the US national capital Washington is first and foremost a politics town, forever in New York’s shadow as a hub of arts and culture. In a 1961 speech Kennedy observed: “Somebody once said that Washington was a city of northern charm and southern efficiency.”
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